June 1 - August 31, 2021
This exhibition brings together maquettes, sketches, and other objects from sculptors’ studios to explore how outdoor sculptures are made, focusing on works from The Kreeger Museum’s Sculpture Garden. The show offers insight into the artistic process, from preliminary drawings to handcrafted models. Artists include Kendall Buster, Richard Deutsch, John L. Dreyfuss, Carol Brown Goldberg, Dalya Luttwak, and Foon Sham.
January 20 – April 16, 2022
Lou Stovall, Sundrinkers are we...the forest, the trees B.H., 1971, screenprint, 40 x 26 inches, Courtesy of the artist.
Lou Stovall: On Inventions and Color is a survey of works by Lou Stovall, the master printmaker who has transformed the field of printmaking in Washington, DC since the 1960s. The exhibition includes works from across Stovall’s career, giving insight into the artist’s innovative approach to screenprinting and his decades-long study of color.
Stovall has been based in Washington since 1962, when he arrived as an undergraduate to study at Howard University. Born in Athens, GA and raised in Springfield, MA, Stovall found his home in DC and his devotion to printmaking, which continues to this day. In 1968, he founded Workshop, Inc., a screenprinting studio aimed to reach new audiences, connect with political movements, and create new opportunities for a diverse group of artists, such as Elizabeth Catlett, Gene Davis, Sam Gilliam, Loïs Mailou Jones, Jacob Lawrence, and Robert Mangold. These important collaborations will be represented in the show, which features works by Gilliam, Jones, and Lawrence, among others. A catalogue will be published in conjunction with the exhibition.
Curated by Danielle O’Steen, Ph.D.
January 20–April 16, 2022
Organized to accompany Lou Stovall: On Inventions and Color, this exhibition examines the master printmaker’s 1974 series Of the Land, a collection of interconnected poems, drawings, and prints inspired by the natural world. Guest curated by Will Stovall, the artist’s son and a painter, the show will coincide with a new publication on the series by Georgetown University Press.
Guest curated by Will Stovall