Past Exhibitions

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Reinstallation of the Permanent Collection: Phase I

Guest curated by modern art historian Harry Cooper, the reinstallation introduces works that have not been on view for several years, while offering fresh perspectives on collection favorites.
Phase I of the reinstallation, which opened September 19, 2017, comprises the Museum’s main floor galleries and focuses on 19th- and early 20th-century painting and works on paper. Objects on view for the first time in several years include an early portrait by Edvard Munch, two winter landscapes by Impressionist painter Alfred Sisley, a mature pastoral scene by Jean-Baptiste-Camille Corot, and a signature Surrealist landscape by French painter Yves Tanguy.

Image: 
Edvard Munch, Klemens Stang with Hat Seated on the Veranda, 1886, oil on canvas, on panel, 12 1/2 x 7 1/2 inches, The Kreeger Museum.
 

Second Nature: Portuguese Contemporary Art from the EDP Foundation Collection

A multi-media group exhibition of Portuguese art of the 21st century, Second Nature is both a portrait of recent artistic production in Portugal and an exploration of the relationship between human culture and the environment. Working in media ranging from watercolor to photography to video, artists in the exhibition consider the tension between the concept of an untouched natural world—a popular subject in art history—and the ways humans have dominated and reshaped the environment using modern technology.

Alexandre Estrela, Wood Cuts, Wood Rings, 2009, video projection, DVD (PAL), color, mono sound, 4:3; loop and wood structure, 64 x 73 1⁄2 x 79 inches
 

Against the Day by Richard Deutsch

The Kreeger Museum is pleased to present Against the Day, 2007, a recently acquired work by California sculptor Richard Deutsch that occupies the North Lawn of the Museum. A gift from the Chevy Chase Land Company of Montgomery County, Maryland, Against the Day comprises eight distinct sculptures: five white granite “benches” surround a central row of three geometric forms in white, red, and black granite.

Richard Deutsch, Against the Day, 2007, granite, The Kreeger Museum. Photo by Colin Winterbottom.
 

RE-VISION

2017 marked the 50th anniversary of the completion of The Kreeger Museum building.  It was designed by architect, Philip Johnson, in 1964 and completed in 1967.  The Museum has asked two prominent Washington architects, Michael E. Hickok, FAIA and Yolanda Cole, FAIA, of Hickok Cole Architects to conceive and curate a special exhibit celebrating this occasion.  

RE-VISION Artists:  Cynthia Connolly, Frank Hallam Day, Avi Gupta, Max Hirshfeld, Franz Jantzen, and Colin Winterbottom

Philip Johnson with model of the building, 1967
 

JOAN MIRÓ: From the Collection of The Kreeger Museum

The Kreeger Museum presents an intimate special exhibition, JOAN MIRÓ From The Collection of The Kreeger Museum, January 21 - February 25, 2017.  The Kreeger’s complete collection of works by Joan Miró will be on view, including The Mallorca SuiteMakimono, and El Vol de l’Alosa (The Flight of the Lark).

Joan Miró, The Mallorca Suite (Srie Mallorca), 1973. 36 etched engravings and aquatint, 17 x 25 inches. Collection of The Kreeger Museum
 

Selected Works: Sam Gilliam and Simmie Knox

To celebrate the opening of the National Museum of African American History and Culture in September 2016, The Kreeger Museum presents selected works from the permanent collection by Sam Gilliam and Simmie Knox. The Museum's relationship with both artists dates back to the early 1970s when David and Carmen Kreeger purchased their works.


Sam Gilliam, Graining, 1998, acrylic on birch plywood


 

SMITH | PALEY

 SMITH | PALEY is the first exhibition to feature a collaboration by internationally renowned artists Clarice Smith and Albert Paley.  Triptych (2016) was the inspiration for this exhibition.  SMITH | PALEY features a selection of Smith's paintings, including a five-panel screen Gallop; and a selection of Paley's sculptures, including maquettes for the project documented in Albert Paley on Park Avenue. 

Clarice Smith, Albert Paley, Triptych, 2016, oil on canvas, forged steel
 

Flemish Expressionism | A Modernist Vision

Early modernist art in Flanders was dominated by an interest in expressionism comparable to similar investigations throughout the rest of Europe. The art and artists that represent the achievements of Flemish Expressionism, however, remain largely unknown to audiences outside their native land. Flemish Expressionism | A Modernist Vision, seeks to address this imbalance in European art history. Drawing upon the rich holdings of a remarkable and never-before-exhibited private collection, the exhibition traces the history of Flemish expressionist painting, sculpture, and graphic arts from James Ensor to the School of Sint-Martens-Latem and its successors.

Gustave de Smet, Young Farmer, 1928 oil on cardboard
 

Emilie Brzezinski | The Lure of the Forest


The Kreeger Museum presents an exhibition of monumental wood sculptures by Emilie Brzezinski. The Lure of the Forest expresses Brzezinski’s fascination with trees and her love and respect for the environment. The Museum pays homage to this masterful sculptor, who for over thirty years has chain sawed and hand-chiseled tree trunks into majestic forms. Each work exhibits beauty, grace, sensuousness, and strength. Her imposing installations are awe-inspiring and express the passion Brzezinski has for her trees. Guest curator Milena Kalinovska.

Emilie Brzezinski, Ukraine Trunk, 2014, Maple

 

[email protected]

[email protected] highlights 14 Washington, DC-area artists: Kendall Buster, William Christenberry, Gene Davis, Sam Gilliam, Tom Green, Ledelle Moe, Michael Platt, Jann Rosen-Queralt, John Ruppert, Jim Sanborn, Jeff Spaulding, Dan Steinhilber, Renee Stout, and Yuriko Yamaguchi. Displaying a broad spectrum of interests and styles, the featured artists have all contributed to the Washington art scene and beyond; each has shown previously at The Kreeger. In recognition of the Museum’s history, guest curator Sarah Tanguy relates the artworks thematically to the building’s architecture and aspects of the collection. 

William Christenberry, Southern Monument XXII, 1989, steel, wood, paint, mixed media, and red soil

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